‘Everything he does sounds true, with great economy of gestures, cristal-clear limpidity and intense expression.’

— Süddeutsche Zeitung
In the press

‘Music can be a force of change’

Around age four, Julien Libeer (Belgium, 1987) discovered Leonard Bernstein conducting West Side Story. Is it possible to see Bernstein at work and not believe that making music is the greatest thing on earth?

His next big influence was the pianist Dinu Lipatti; also someone radiating musical truth. Lipatti proved formative for the direction in which Julien wanted to work, as he consciously avoided engaging in piano competitions.

For five unforgettable years, French-Polish pedagogue Jean Fassina was the mentor for Julien’s pianistic and musical foundation. An additional five years, Maria João Pires taught Julien by example, and by taking him on the road to perform with her. Ultimately, he learned that your most important asset, on stage and in life, is your freedom.

Julien Libeer was presented with the Juventus Award 2008 for being the most promising young European soloist, and was named Young Musician of the Year by the Belgian Music Press Association in 2010. His work has been subject of the documentaries Technique doesn’t exist (2013) and Jeunes Solistes, Grands Destins (2018).
Julien’s recordings have been well-received by the international press, receiving awards such as the Diapason d’Or de l’Année 2016, Klara Award 2016 and Echo Preis 2017.

Collaborations

As a soloist, Julien has performed with the Deutsche Kammerphilharmonie Bremen, Brussels Philharmonic, Belgian National Orchestra, Antwerp Symphony Orchestra, Sinfonia Varsovia and New Japan Philharmonic; under conductors including Trevor Pinnock, Jun Märkl, Michel Tabachnik, Augustin Dumay, Hervé Niquet, Joshua Weilerstein and Enrique Mazzola. His dedication to the works of Dinu Lipatti have resulted in warm collaborations with the Bucarest Radio Orchestra, among others.

The instrument allows Libeer to be expansive, brisk and brilliant as required, without ever threatening to overwhelm his partner. This is deeply unshowy Beethoven but it’s intensely sincere and it sounds entirely new. Try it.

— Gramophone

An accomplished chamber musician, he works on a regular basis with Augustin Dumay, Camille Thomas, Frank Braley, Maria João Pires and Lorenzo Gatto, with whom he has performed the complete Beethoven violin sonatas over several seasons.

Highlights of last seasons have included invitations of the Concertgebouw (Amsterdam), Wigmore Hall, Flagey (Brussels) and the Steinway International Concert Series (Cardiff). He was a guest at the Enescu Festival, the Beirut Chants Festival, the Miami International Piano Festival and has performed chamber music concerts at De Doelen (Rotterdam), the Palais des Beaux-Arts (Charleroi) and the Théâtre des Abesses (Paris). Julien is Artist in Residence at Flagey Brussels.

Julien Libeer has studied with Daniel Blumenthal (Royal Conservatory of Brussels), Jean Fassina (Paris) and Maria João Pires, and is an associate artist of the Queen Elisabeth Music Chapel, where he also specialized in chamber music with the members of the Artemis Quartet. Furthermore, he has received the advice of Dmitry Bashkirov, Alfred Brendel, Nelson Delle Vigne-Fabbri, Jura Margulis and Gerhard Schulz (Alban Berg Quartet).

The impact of music

Julien is driven to initiate or collaborate in projects which are rooted in the idea that music, far beyond its esthetic value, can be a force of change for anyone willing to listen. Amongst these projects was Julien hosting a Belgian TV series, that made a case for musical storytelling. He furthermore hosts the Salon Libeer concert series at the Bruges Concertgebouw, in which he joins a fellow musician and a speaker (e.g. philosopher, historian, author), as well as the lecture series Dead or Alive, a philosophical exploration of the shifts in classical music making (in collaboration with LUCA School of Arts and the Catholic University of Leuven.

‘His engagement shows in this delightful, incredibly interesting and sometimes hilarious talkshow.’

— BRUZZ

As the artistic director of the Singing Molenbeek project, he supervises high level choir rehearsals in the primary schools of a Brussels suburb famous for all kinds of wrong reasons. It is Julien’s hope that introducing these children to music, with all its demands and rewards, will help them grow personally and socially. 

Download the Press Kit with bio and images.

Calendar

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May 22, 2022

Sunday 2:00 pm

Herve, BE

Chapelle de Monty

Concerts de Monty

Schubert's Winterreise with Samuel Hasselhorn

May 27, 2022

Friday 6:00 pm

Ciney, BE

Château d'Halloy

Festival Résonances

with Alina Ibragimova, Timothy Ridout, Martijn Vink

May 28, 2022

Saturday 6:00 pm

Ciney, BE

Château d'Halloy

Festival Résonances

with Jakob Koranyi

May 29, 2022

Sunday 11:30 am

Ciney, BE

Château d'Halloy

Festival Résonances

with Sini Simonen

From June 24, 2022

Friday 12:00 am

To June 28, 2022

Tuesday 12:00 am

Milan, IT

Villa Medici Giulini

MIPF Academy

Master class

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Lignes Claires – Album trailer

On his debut album, Libeer lays bare the luminous lines in the music of his favourite composers, exploring the reticent sensibility in music by Ravel, and the haunting hypnotism and delicate understatement of music by Dinu Lipatti.

Beethoven – Violin Sonata No.5 ‘Spring’: IV. Rondo

Building on the success of their first disc of Beethoven violin sonatas, which won a Diapason d’Or of the Year and ‘Choc’ de Classica, Lorenzo Gatto and Julien Libeer continue their recording of the cycle.

Maria João Pires & Julien Libeer – Schubert Fantasy in F minor

‘A stunning, transcendent reading’ — The Arts Desk. Live recording at the Music Chapel Gala of Schubert’s masterpiece for four hands. 28 January 2014, Brussels, Palais des Beaux-Arts.

Bach – Allemande from French Suite N°5

Performed by Julien Libeer on the Chris Maene Straight Strung Concert Grand.

Fauré – Après un rêve

Camille Thomas, cello & Julien Libeer, piano. Recorded at the Conservatoire à Rayonnement Régional de Reims (France), July 4, 2016.